Category｜a+u
Language｜日本語/英語
Contents｜a+u 臨時増刊号 レンゾ・ピアノ特集
Author｜
Publisher｜エー・アンド・ユー
Publication date｜1989/3/90/9/1
Type｜ペーパーバック
Pages｜287
Size｜221×292×17
Weight｜
Price｜4800-YO-1300-198-1628-20220114
Renzo Piano is generally considered to be High-Tech architect, and much of what is written about him actually says so, even to the extent in a recently published monograph on High-Tech architecture that he, along with Norman Foster and Richard Rogers, is one of the three most representative architects of the genre.
Piano, however, does not consider himself to be one and according to the author of the monograph, neither do Foster or Rogers, or, for that matter, do other architects who are said to be exponents of High-Tech.
Such denials are reminiscent of the way architects opposed and reacted to Post Modernism. At the outset, they almost fell over each other in their rush to produce Post Modernist buildings and named them so, and then promptly tried to escape from the label.
引用｜RENZO PIANO BUILDINGWORKSHOP:1964-1988 レンゾ・ピアノ
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